(AKA "Spooky Encounters")
Director: Sammo Hung
Cast:
Plot: Courageous Cheung
(Sammo Hung) is a pedicab driver in a small rural town who likes to
boast of being afraid of nothing. His friends are always putting him to
the test and he manages to bluff his way through their tricks. When
Cheung comes home early one day he finds evidence that his wife (Leung
Suet-Mei) is having an affair. Unknown to Cheung the affair is with his
boss, Master Tam (Huang Ha). To protect himself from Cheung’s anger,
Master Tam plots to use black magic to dispose of Cheung, and this
starts off a battle of supernatural powers between two brothers, one
good (Chung Faat), and one bad (Peter Chan), with the prize being
Courageous Cheung’s life.
Review: It is so easy to
see why this film is so highly regarded and has become a cult classic
all around the world. This has the perfect blend of comedy, horror and
action. We get marvellously choreographed kung fu mixed with vampires,
zombies and ghosts, and all done with a keen sense of fun. This is
another film directed by Sammo Hung that has gone on to be imitated
many times over. Comedy/horror and kung fu/horror had been done before,
but never had the three been so perfectly blended giving equal emphasis
to all aspects. This film literally paved the way for the “Mr Vampire”
series of films, and a sequence where Courageous Cheung’s hand becomes
possessed was probably the inspiration for a similar scene in Sam
Raimi’s “The Evil Dead 2”.
There are so many memorable characters performed extremely well by
a talented cast. Chung Faat is superb as the slightly eccentric Taoist
who only believes that magic should be used for good. Chung Faat also
manages to get one exceptionally good stick fight in against his evil
brother, played with relish by Peter Chan in what is probably his best
ever screen role. The battle of the wizards finale has some great
stunts but still manages to have some humorous moments between the two
actors.
Lam Ching Ying’s Police Inspector is also inspired. He comes across
as a fearless and strict leader, but he is really just putting on a
brave front and is desperate to be seen as a strong role model by his
men. One of my favourite scenes has him forced to look inside a coffin
so that he does not loose face in front of his men who are all to
frightened to look. Courageous Cheung is actually hiding in the coffin,
but the Police Inspector has been told there is a rotting corpse
inside. Not wishing to see or smell such a thing he only pretends to
look, so with his back to his men he puts his face over the opened
coffin. With his eyes completely closed and his face screwed up in an
attempt to keep out any foul smells he goes through the motions only of
looking inside. Courageous Cheung’s open eyed and open mouthed shock
expression looking up at the Police Inspector is a complete contrast.
This is a moment of true comedy genius that is guaranteed to get a
laugh. The Tea House scene also gives Lam Ching Ying a chance to show
some of his excellent martial arts skills. A very short sequence of
fighting for him, but every second is pure gold.
Sammo’s handling of the visual comedy throughout the film is
nothing short of masterful. The scenes at the old temple with the
vampire in the coffin are great, especially the one where Courageous
Cheung is dangling upside down as the vampire searches for him. The
later scene of copycat with the zombie is another comic highlight,
ending with a brick to Courageous Cheung’s groin. (Ouch!) For me,
though, it is the action that makes this stand head and shoulders above
other films in this sub genre. Sammo was assisted by Yuen Biao, Lam
Ching Ying and Billy Chan when creating the intricate choreography that
fills the movie. Yuen Biao does not appear as an actor here, but he
doubles for some of the more acrobatic movements in the fight scenes.
Sammo’s agility is also amazing, especially in the Tea House scenes
where he tumbles and dives over tables to get away from his attackers.
The final twenty minutes sees the combination of supernatural
duelling and intricate fighting pushed to the extreme as the two
warring brothers use Master Tam and Courageous Cheung like puppets,
filling them with various spirits to enhance their fighting skills. The
fiery end to the fight has one of the most impressive stunts I have
seen in a Hong Kong film from this period.
The film ends with one of the most memorable shock scenes of
Sammo’s long career. I won’t go into too much detail as I don’t want to
spoil it for any first time viewers, but I will say that if I was in
Courageous Cheung’s position, and after all that he had been put
through, I may well have reacted the same way.
This ranks up there, not just as one of Sammo Hung’s greatest
achievements as a film maker, but as one of the best films to come out
of Hong Kong. The budget for this film may not have been that high, but
the results are out of this world, which is pretty apt for a
supernatural action comedy. If you haven’t managed to see this one yet,
I suggest you do so as soon as possible……. And if you have seen it, but
not for a while, do yourself a favour and give this genuine cult
classic another viewing.
Rating: 5/5
Review by D. M.
Photos by Klara
For bigger pictures please click on thumbnails